The Importance Of The Rarely Seen Design Process Is Exposed & Celebrated At Burnkit In Prototypes

I was lucky to take in one of the last opportunities to view Prototypes, a show at Burnkit.
Prototypes examined the importance of production models, how although they are rarely seen by anyone other than the creator, they serve an integral part in the creative process that leads to the most effective final product.
The Vancouver design house is based in an enormous warehouse with more than enough room to hold an exhibit such as this. The set up was simple yet very engaging. There were five separate sections. Each had an accompanying iPad screen that you swiped through for more information. The work on display ranged from chairs to knives to duffle bags and more.
I have always admired Burnkit’s work, and am impressed that they organized this exhibit.
For more information, check out


Amon Tobin Sends Audience On A Psychedelic Visual Trip With New ISAM Tour

Amon Tobin’s Isam set = breath-taking brilliance.
I was only given the opportunity to photograph the first two songs, so my photos don’t really do the whole performance any justice. The range of visuals was truly mindblowing – the entire set deserves to be recording in HD & posted to repeatedly blow our minds.
Truly, though, it must be experienced live to be understood. There is no way to describe it in words or pictures. Mind morphing Tetris on acid, but a gentle, forgiving, coaxing video game, not a violent or scary one.
It is so impossible to describe, constantly changing, you’d think you’d run out of ideas of what to project onto the cubes, but it was always something different, at once ice, at once fire, then just when you think you’ve seen in all, the cubes start spinning!!
AmonTobin_Vogue_Vancouver_DSC_1812Seriously, any description of Amon Tobin’s ISAM show just sounds like some far-gone hippy who has done WAY too many mushrooms.
Do yourself a favour and whip down to Seattle tonight (Sept 29) to catch him there – he’s playing Decibel Fest. Or else one of his future shows, like San Fran, LA, etc etc – shows everywhere are selling out, and for good reason!
I was on assignment for The Snipe News. See the original post here.

Please, if you haven’t seen it, watch the preview

and the “making of” the set & graphics


All Day Concert In A Parking Lot: Good Times In The Summer/September


Sun Araw @ New Forms Fest 2011

A brilliant way to cap off a fantastic all weekend event, New Forms Festival held an all day outdoor concert at The Waldorf Hotel in Vancouver BC. The sun was absolutely beating down all day, not a cloud in the sky.

In the lineup: 5 acts with a variety of musical styles:
First, the sprawling moodiness of V.Vecker Ensemble, 8 musicians moving through epic instrumental stories. It was a shame they only played one song.


V. Vecker Ensemble @ New Forms Fest 2011

Next, totally trippy psychedelic rock by Sun Araw. The singer barely said more than a word or three at once, but it suited the journey they were taking us all on.
I want to know what instrument the long haired player was on (if you know, please contact me!)…


Sun Araw @ New Forms Fest 2011

I was stoked to see No Gold, who had opened for Mount Kimbie at the Biltmore in March this year. They have a world beat sound that is very suited to hot summer days.


No Gold @ New Forms Fest 2011

Building on No Gold’s good vibes, the duo of Danuel Tate and Tyger Dhula
brought loungey house beats to the crowd during our last hour of sun. The live keys was a nice touch.


Danuel Tate & Tyger Dhula @ New Forms Fest 2011

After a substantial break, due to relocating the PA from the parking lot to just outside the Waldorf cabaret, Deadbeat finally plugged in. He turned up the energy of the crowd a ton of notches, starting with tunes that could have been featured on his Journeymans disc – very dubby and laid back. But he quickly amped up the beats, moving through a range of dance genres that had the crowd shaking their bodies with big smiles all around.


Deadbeat @ New Forms Fest 2011

Oh yeah, and there was this guy. With the BEST T-SHIRT EVER. Thanks dude!


The Best TShirt Ever @ New Forms Fest 2011

And thanks New Forms, for another excellent year of art & music!
For more info, check out the New Forms site and follow them on Facebook & Twitter


Irresistible Contemporary Dance Diptych – In a Shipping Container!

If there’s one thing you do this weekend, promise me you’ll go see Lorenzo, Isabella and the Pot of Basil.

"Lorenzo, Isabella and the Pot of Basil" by Brian Johnson at The Waldorf Hotel

Situated in the FIT shipping container outside the west side of The Waldorf Hotel (aka Vancouver’s hottest, most relevant art & culture space), it is a superbly executed pair of videos featuring contemporary dancers Jennifer Mcleish-Lewis & Josh Martin.

The diptych is simple in concept: woman vs man and black vs white (room, costume, and makeup). Yet these apparent simplicities are but the seeds for a truly remarkable, energetic, irresistible piece of art.

Director Brian Johnson has chosen a huge, dark warehouse for the male half of the work. A slightly smaller, nearly entirely white studio is the world in which the female character glides.

Johnson has mastered the light & shadows of these spaces. The white of the female studio is bright & stark, yet every piece of Mcleish-Lewis’ angular face and flowing robes are perfectly exposed (light exposure, not skin exposure. smiley face). In the darker male warehouse, two great ceiling lamps have just a slight flare, and the charcoal black floor becomes scraped with arcing swipes by Martin’s hip-hop inspired pop & lock moves. The result looks like an ice rink inversed.

Johnson also captures an incredible range of field depth – full open wide angle, giving a sense of the stark warehouse/studio, right to full close ups showing the focused expressions of Martin’s jester eyes to the white makeup on Mcleish-Lewis’ manga-sized, sensually closed eyelids.

video still of contemporary dancer Jennifer Mcleish-Lewis in "Lorenzo, Isabella and the Pot of Basil"

video still of contemporary dancer Jennifer Mcleish-Lewis in "Lorenzo, Isabella and the Pot of Basil"

Yet this doesn’t read like an ADHD music video; all cinematography and edits are made with complete respect for the dancers, highlighting their overflowing talent.

Mcleish-Lewis and Martin have such complete control of their bodies, and fluctuate from soft and slow to sharp and sudden with such electric energy, I felt I could have watched this all night.

The piece is driven by an intense electronic score (on 2 separate tracks – the oppositions continue!) by John Korsrud of Hard Rubber Orchestra.

Director Josh Martin has scored a serious homerun with this piece. Yet unlike some art mediums (painting, drawing, sculpture…), film work (including feature films and television), must be the result of a team effort to be a fully realized piece. In Lorenzo, Isabella and the Pot of Basil, the team is an expertly crafted firearm: it loads, (pop &) locks, and fires!

Oh, and when the video ends, and you haven’t yet seen a loop? Stick around – there’s more video than first meets the eye.

Lorenzo, Isabella and the Pot of Basil
Director: Brian Johnson
Dancers: Jennifer Mcleish-Lewis, Josh Martin
Score: John Korsrud

Showing at The Waldorf Hotel
1489 East Hastings Street, Vancouver, BC V5L 1S4, Canada
For more information, go to